By Adrian Sinclair
Ballot Box, City of Vancouver (1902). Wooden, Cedar. openMOV. H971.259.1
In 2013, Elections BC has taken a few notable steps to make voting more accessible. They have partnered with non-partisan organizations like Vancouver Design Nerds, Get Your Vote On, Rock The Vote, , and Bike To Vote to make educational resources available online and on the street for a new generation of voters.
The evolution of who has been able to access the voting process is quite the read. In 1918, Canadian women were enfranchised to vote in federal elections (except in Quebec, where women were enfranchised in 1940).
Suffrage Blotter, (1917). Rectangular, White Blotter. openMOV. H994.30.9
Historically, many other groups have been excluded from accessing the right to vote. In 1993 persons with diagnosed mental disabilities were given the right to vote for the first time. In 1970 the voting age was lowered from 21 to 18 and ten years before that in 1960, First Nations living on reserve were given the right to vote for the first time. There remains further work to be done in order to ensure the vote be fully accessible. Of concern are Young voters (18-35) who have the lowest turn out among registered voters.
Of course it’s not only the non-partisan institutions that have an interest in making the vote as broadly accessible as possible. A quick look through the MOV’s online collections database openMOV, yields an interesting attempt by a political candidate to get the youth vote out during the 50’s. This faux pep pill containing Teresa Galloway’s political platform on a mini-scroll of paper, was handed out to notify voters that “our city hall needs a tonic … A woman of action can supply pep and vigor.”
Theresa Galloway Election Campaign Capsule, (1955). Plastic, Paper, Ink. openMOV.
Elections BC’s efforts to ensure fair and accessible elections that represent the political will of the electorate is a work in progress. Here at the MOV, we are also constantly working on how to make our collections more accessible in order to provoke, engage, and animate Vancouverites around our shared material and cultural history.
After exploring our online collection political artifacts, reading up on the candidates (of past and present), get out there and vote today!
Engage with the political life of your city and province!
With the Vancouver Art Gallery officially on its way out of their current location between Robson and Georgia, we've been getting asked more and more whether we might be taking that space.
Today we announce that we are committed to finding an optimal location that will complement our provocative, award-winning programs and exhibitions - in other words, we don't know yet whether we will choose to stay here or move. But we have been taking deliberate steps towards securing our position as a thriving part of the Vancouver’s cultural landscape for generations to come.
The MOV has occupied its current location in Vanier Park since 1967, and while the location is picturesque it is not without its challenges (pictured above in 1971). A study is being conducted by AldrichPears Associates (APA) to define a functional program for the Museum in an optimal scenario.
“We are constantly asked about our location,” said Nancy Noble, Museum of Vancouver’s CEO. “With this study we will finally have a definitive answer to the question ‘should we stay or should we go?’”
Through the study, the Museum is examining many options for its location, the current Vancouver Art Gallery space being only one, with potential to stay at its current location. The functional program is informed by current operations, industry best-practices, the vision for the visitor experience at the Museum and the anticipated visitation levels at the current location as well as other locations throughout Vancouver.
Isaac Marshall, Principal at APA, said, “There are so many opportunities in Vancouver right now. It is the perfect time for the MOV to prove it is ready to lead the world in redefining the role of a city museum.”
By Craig Scharien
My own sex education at school (in the mid ‘90s) was not exactly memorable, but there are a couple sections of Sex Talk in the City that remind me of that time of my life. The group of white desks with graffiti all over them certainly conjure up memories of boredom and a lack of true sexual understanding. The other is the giant black cougar on a striking red wall.
For anyone who was watching movies in the 1960s all the way to the 80’s in British Columbia it is easy to recognize the restricted cougar icon that once acted as a warning about questionable content in film. When I was a kid all it meant was that I wasn’t able to watch anything with the cougar on it. The cougar and the fact that it was forbidden meant that I spent a lot of time scouring the restricted section at Canadian Tire (they used to have movies to rent, believe it or not) looking for a movie I could get away with suggesting to my parents.
These days there are boring rating systems that include things like “18A”, but back then the cougar was a symbol of coarse language, violence, nudity and obscenity in general for movies. It was developed by the BC Film Classification Board and the BC Chief Censor, Ray MacDonald at the time. The hope was that the iconic symbol would help raise public awareness of R-rated films. The cougar plays a very effective role at Sex Talk, by reminding many of us of the way censorship has been approached in our province.
It is also a vehicle for articulating an important point – that obscenity is often in the eye of the beholder. Within the exhibition, it has allowed the Museum to present sexually explicit material and stories of censorship by allowing the visitor to opt in to that element of BC’s history. If you are curious you can take a peek through the holes in the cougar to learn about pivotal moments in the history of the production, consumption and censorship of sexually explicit materials. Like the red drawers in the bedroom section of the exhibition the decisions are left to the visitor, thus making moments of discovery just a bit more and powerful.
Over at the MOV, we've been excitedly welcoming the cherry blossoms all over the city (seriously, so excited). And with the arrival of these new buds, there are a whole host of other fresh starts and new beginnings in Vancouver. This week check in with Vancouver's new proposed digital strategy, the start of greener garbage collection, and something that seems like an end, but what we hope will blossom as a new future possibility: the retirement of advocate for the homeless, Judy Graves.
Born Digital. On April 9, City Council met to discuss Vancouver's first ever digital strategy that, if adopted, would mean a huge shift in how the city processes licenses and permits as well as a significant expansion in the availability of free wi-fi. Sounds pretty good, but are there any concerns? Of course. Nikolas Badminton over at the Huffington Post blog suggests the strategy doesn't do enough: "I feel it is a safe governmental play that drags us to be where we should be right now in 2013, but with full implementation not until 2016. At that point we'll be four years behind."
By Arleigh McKerlich
Now that the days are becoming warmer and sunnier, Vancouverites are returning to a long-time favourite recreation spot: English Bay Beach.
Residents of Vancouver have been flocking to "First Beach" since the earliest days of the city. Called "Ayyulshun" (soft under feet) by the First Nations people, the name “English Bay” commemorates the meeting of Captain George Vancouver, along with Spanish captains Valdes and Galiano, in 1792. (This is also how Spanish Banks received its name.)
The beach was opened for recreation in 1893, sand was added in 1898, and by 1900 the Davie Street tram line made it accessible to residents from all over Vancouver. Residents built a pier, summer cottages, a dance hall called "the Prom", and a bathhouse. The original structures were all built out of wood, but the current concrete bathhouse was built in 1932.
As early as 1913, visitors to English Bay who had forgotten their bathing suits could rent one (10 cents for an adult, 5 cents for a child) along with towels and lockers. The wool suits were rented until the 60s at the majority of Vancouver’s beaches.
In 1939, the bathhouse was converted into the city's first aquarium featuring Oscar the Octopus but by 1956, the aquarium facility was closed and manager Ivar Haglund moved to Seattle and started up a seafood business (Ivar’s Acres of Clams).
Today the bathhouse has new uses, including acting as a stage during the Celebration of Lights each summer and drawing record numbers of people to its sandy shore.